Tradition remains this rei narang 12 siko. In the field of literature and music, Sanskrit bha) and regional (e) cars were developed together. The ähta anuchodan of Yash Gaan can be deduced especially from the simple two occasion of Sattarmimi.
The author of Karya Pakshagan Natak is different from his Tamil and Telugu plays. It was written for a century. Bhado Vaminarayan Urtiban Keshinkar, Iti Subh and Nimna did remarkable. Although this band is known as Dwarik Nakolokako, the plot of the play written for Narangbhari is known as tai manaya khaktati, but his creativity can be seen in the context of the above mentioned literary activity, because many critics use the title for this so-called bhokanrutva.
Today's Yagan has to go into this structure. However, it is not only the Brahmin class, but mainly the type of Taidhana that is maintained. The class associated with this temple is called Bhagavatar. Of course today the type of debt is the key to the management of the temple. Archaeological articles in the history of Nat style and references to the orange Ā mark in the literature are assigned.
But today it is played in the open unlike Chiham and Kakavita Pavirudh is sometimes played on a high stage. Kakadat is played in the open, but its level is flat on the ground with Ujki. The stage is rectangular or square (C "or twenty feet side by side. Banana stalks are erected in each corner. Two lamps are placed between the middle ends on both sides of the stage.
The main director, singer and director Today, Haniyam and some flute players also appear on the stage. A little farther to the right of them is Thai Haak. Can come quickly. Punch looks something like this old work The 33) Lathi Vaasni hut which satisfies the need of Nepath house. Ganesha has a badi mukhaka (picture or statue).
After the harvest of the real crop, that is, from November to May, not a single day goes by when the moon does not fall on the lush country soil, the moon rises and starts singing habuk and bhagavatar. That east Dio is like the one you see next in the cottage, but with tadrupan. Here is known as Purvarang Sala. Is part of its main gang. Sa pratham gaush ke muchika ni nepo puja.
The participant then sings a verse on the stage and the clown speaks a dialogue of Hanuman's name with a group of little boys or ingis. Sa occurs during Hanumannaka and Bhagavatar in the left part. Finally Bhagavattar sings the key verse in the Rija part.
Two younger grandchildren Bal Gopal and Kha Balaram enter. Suhanritya type big ax. P Parsipali (Way) does such lasya in the form of Satyabhama and Rukmini. Even so, owning one is still beyond the reach of the average person
ARRA Departure Bamboo Pillar 41 Chadavadak | Musician Prav H]. Pillar of Vaas - Bhavatar Karo and TET 1 Mukhniwa D સાત of seven issues. - Kak G. It is the kind of pure dance (circle) of its creatures gamag and va cho vasano paglo-vasno pillar. This dance gives the child of Balagopal and Shri Vesh the abundance of this style of dance. 2 Kutium's rituals are not seen here. However, its antecedents are so long and its structure is unchanging.
Its open courtyard sets it apart from the ceremonies. The rituals are sung by the people in the play of Bhagavatar or Bhagavata after killing. This is called occasion. The eyes of each character are given from the mind of the participant. The legs of the two men holding the veil are hidden. They announce the entry of the character.
The recitation of the Bhagavad-gita and the dance of the dancer in the hockey character are very similar to the dance of Katiyatam and Kathakali as well as the discharge of Kariyatam. Row does not precede pre-birth ૨ the character's wounds are characterized by special nicknames and synonyms. Describes prominent features, his heroism, strength and other qualities. This has been ologged.
Each nut bows to the ground and performs pure dances with Dr. Ansh keeping his back to the audience. Sometimes it shows its magnificent crown and then disappears. For example, in the five Pandavas, each of the brothers enters one by one. Before leaving, the dry songs of Nut are danced by the wind sung by Bhagavatar. These pieces result in Niwai.
This is called mukaya. Then the five pillars appear behind the curtains, but this time the curtains are pulled up to the waist so that sometimes the buses are kept. So that it can be seen from the digestive tract. Finally, the curtain is pulled by two theater assistants. Now the actress comes in front of the audience with her colorful costumes and dazzling couple.
All this is seen in the light of his two lamps on the stage. Okolog or the description of each character is such that it clearly distinguishes the other characters of the play. Thus the atmosphere of the play is created. Good characters dance, Maa wanders. When the evil demonic foundation cries out, the cries do.
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